Some thoughts on Non Metallic Metal (NMM) with Paolo di Poce
Por um escritor misterioso
Last updated 07 junho 2024
Non Metallic Metal – the PRELUDE Hello to all. This is my first tutorial I’ve written for this blog, and I hope will be useful for people like me who has just started to paint in a more complex way than when playing war games. Just remember this is only one way to paint non metallic metal or indeed any other element. If you like it, you can use it as a starting point, or modify this adding something else. In these years I have attended several courses with some great painters like Alfonso Giraldes, Pepa Saavedra and Rusto. Each one of them taught me (or at least he/she tried hahaha) something special and personal. This is Joan Of Arc, sculpted by Pedro Fernandez for FeR Miniatures. I really like this model, the sculpting is top class and the cast is simply perfect. THE SKETCH What I took from Alfonso Giraldes lessons is mainly to define each volume of the figure, basically making a sketch (like drawing on paper) using black and white. This is probably one of the most important phases of the painting process. I obviously suggest you to join this workshop with Alfonso because it will give you a different way to approach your hobby. He doesn’t teach you what you have to do, there is no step by step process but he will open your brain and give you an alternative way to go. Draw shadows and lights and decide which you like and which ones to delete. Of course it depends on what kind of light and surface you decided to replicate in your painting. Your drawing will guide you to the process of light and shadowing. It will be quite easy using diluted colours because they won’t cover the colours below. The key to this work is make contrast, using a very dark black (my favourite is the model colour) and bright white (GW white is fine but I suggest Titanium White from Liquitex or Winsor & Newton), and do not be afraid to make mistakes or a mess, everything can be corrected further down the line. How can you decide what light and what reflection are correct? Basically look around you and choose a reference. Take in mind a metal surface reflects light in a different way than other materials, so a complex volume would be difficult to handle… basically you have to consider how much stronger is the light, where it comes from and it’s refraction from objects and their surfaces. A polished armor will reflect a much bright and larger light surface than an opaque one and probably you will see reflections of nearby objects. Do you remember the Excalibur movie? Armour styles and materials are different from each other: Mordred, Lancelot, Arthur. A SMALL INSIGHT INTO PAINTING THE FACE After you have done the sketch, you can relax yourself doing the face. She is a young girl so will have a clean and bright face. I created a basic colour using a red Andrea, Scale 75 deep blue, a yellow scale75, adding a little white when needed. Basically you choose the mix you prefer, if you want a Joan in Miami Beach you could use more red and white, if you want to make a Joan in Transylvania you could use less red and more blue and white. Then we are going to shade using base color + brown color in the lower part of the face and on sides then a very diluted layer with basic color + red. Use the base color for fading and blending areas between areas of light and shadow. To highlight just add white to the base colour (or a clear skintone) and a bit of satin to have a brighter and shinier skin. The process is simple because I do not need to add textures or wrinkles or scars to the face. She will appear ready to battle and beautiful. I then paint the interior eye with a clear flesh colour, then add a red line at the bottom of the eyelid and one brown line under the upper eyelid. I Also add a make-up effect using base colour + a little bit of blue and red vallejo model air using a brush. I use model air when I need a more liquid colour on a base colour, almost using them as an ink. On the lips just work with base color tonality adding some red to obtain a pink tone. SOME THOUGHTS ON NMM For doing a NMM we will use a miniature victim, in this case the chosen will be a pegaso gladiator bust. We will do two different versions of NMM, a golden one and a metallic on For gold we begin to give a base of Model Colour English Uniform on all the (black) surfaces. Then I add GW Bubonic Brown or Gold Brown as first light. Then use Skull White and Titanium White (I ‘ve used the Winsor & Newton one) for maximum point of light. Use Bubonic Brown (or Gold Brown by Model Colour) if you lose the Yellow tonality. Then I apply a layer (with a drop of water) of Winsor & Newton Sunshine Yellow, a kind of orange ink which is useful to add some warmth to the overall tone. Don’t add too much water or you will lose the intensity. Basically you have sectors of colour with sparkles of light. If you want to change effect, you can go with vertical lines of Bubonic/Gold Brown and pure yellow ink simulating a reflection of some objects. Use a brush with a good tip (I use Da Vinci Maestro 1 and 2) and carefully draw lines, without blending them. This will create an effect of “movement” on the surface. You can use W&N Yellow ink on base color, or drawing white lines and then adding Inc for a shiny effect. Remember using black in the shadow because you need contrast. It is predominantly down to changing the colour recipe for different types of NMM so the following
Some thoughts on Non Metallic Metal (NMM) with Paolo di Poce
Two-Dimensional Noble Metal Chalcogenides in the Frustrated Snub
Boxoffice-March.13.1954
PDF) BAR Publishing Catalogue Birgit Thaller
Shiny metal ass etude by Melnikov Ivan Nakatan · Putty&Paint
Download full issue - PanamJAS
Mackinawite: Mineral information, data and localities.
Craftworld Studio - Working on Bladeguard Veteran Storm shield
Armenia: The First Christian Country
Some thoughts on Non Metallic Metal (NMM) with Paolo di Poce
Non Metallic Metal a Guide by Jean-Marc Brisset - Figure Mentors
Allylbenzene by Asch - Issuu
Lambda 11 story mode
Highlights of Computational Physics (DCOMP) Talks @ APS 2020 March
EMBC 2019 Program Wednesday July 24, 2019
Recomendado para você
-
🔴 Easy NMM painting at Patreon New PDFs are now up and video to07 junho 2024
-
This is one of the Best NMM Gold Tutorials Out There: Squidmar07 junho 2024
-
Witch King II – painting tutorial – NMM part 2 – Rage Craft07 junho 2024
-
NMM Archives - Lil Legend Studio07 junho 2024
-
Warhammer 40k Dark Angels Primaris Lieutenant Zakariah, NMM07 junho 2024
-
Painting NMM Swords: Galharen Tutorial for Miniatures07 junho 2024
-
Kit de Tintas NMM Silver - Non Metallic Metal - RPG07 junho 2024
-
Fallen Boris - An attempted NMM study by Tobias_Hancock · Putty&Paint07 junho 2024
-
How To Put NMM Highlights In The Right Spot (Video Tutorial)07 junho 2024
-
Easy NMM Gold Models Workshop07 junho 2024
você pode gostar
-
Place Games Amigos de Merda Jogo de Cartas Buro07 junho 2024
-
Pokemon Go Hack Spoofing + Joystick on X: #PokemonGoHack #PokemonGoSpoofing #PokemonGoSpoof #PokemonGO #HackPokemonGo #HowtoHackPokemonGo / X07 junho 2024
-
desenho de cachorro desenho animado kawaii anime bonito para07 junho 2024
-
Noob bait or I cant go Wong? : r/MarvelSnap07 junho 2024
-
Forza Motorsport 7 is running on fumes — a game UX review, by Matti Richoux07 junho 2024
-
Asalam, Dragon's Dogma Wiki07 junho 2024
-
Olmine, Drifters07 junho 2024
-
Red Rainbow Friends coloring pages – Art Art07 junho 2024
-
Cha-La Head-Cha-La, Dragon Ball Wiki07 junho 2024
-
BAKI Part 2 Review • Anime UK News07 junho 2024